I am burning
through the decades,
not figuratively as I finish my first fifth decade, no
literally onto this bonfire I am pitching husks of barnacles
like Porterfield Elementary autograph books, 40 years of birthday cards,
Christmas photos, school concert programs, playbills, ticket stubs, pay stubs, tree bark,
blurry photos, zoo photos, tree photos, maps to parks and cities and bike trails,
brochures to the Grand Canyon, Mount Rushmore, Chicago Natural Field Museum, Mt. Hood,
Cape Cod.
I toss in graduation cards from various places of higher learning, most of the wedding cards, baby congratulations, baby death condolences, church programs with questions and hangman, scribbled art from kid 1 on the back of case briefs, hand prints, leaf etchings in red and orange, kindergarten worksheets, thirty-four years’ worth of three kids’ worth of report cards, receipts for lumber for the deck that now needs repair and a video camera that we last used in the 90s, manuals for appliances and vehicles that we have and that we don’t, commissioned but amateur artwork I did for that one book about growing up in northern Wisconsin, piles of research for law review papers on the Supreme Court and frozen embryos, reams of paperwork from the insurance fight for coverage so that kid number two could just be born (and the grievance process appurtenant thereto), just plain insurance statements from the hysterectomy and the hip surgery and the broken ankle from when kid three wanted to know how many stairs she could jump down.
The answer is five.
I take this pitchfork and lift this pile heavy with decade upon decade so that
air can come in under it and burst it all into flame, fire moving through
the sodden years of the things that I have saved for so long
or rather things that have tethered me for so long,
things that I have moved in boxes from Porterfield
to Oconto to Fayetteville to Suamico (twice) from
1987 to 1994 to 1999 to 2004 until
there were boxes and boxes
of things I have dragged
in the wake of me
across the states.
Like Moby Dick,
exasperated beyond all measure,
when he knows there is no escape,
when he knows that they will just keep coming,
swimming through the lines of the boats of the Pequod
entwining them in his aging white flukes and fins and pulling them down
in a raging whirlpool to the dark of the deep –
except instead of down I am offering them up,
finally,
in feathers and flakes of white ash, with this fire
I am burning
the twisted lines so I can be free, or maybe so they
can be free of me
as I rise
so I can take
this broken this healed this undecided body and soul up
from the dark,
up from the watery depths, up to the slant winter light
I can see
resting on the face of the deep, like a dreamer coming to the end
of the dream.
Love!
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I still kept some porterfield stuff. 🙂
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If you turn the poem on its side (tipping it to the left), it looks like a whale!
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Sweet. That’s totally… intentional. Yeah, I meant to do that! 🙂
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