The Insufferable Logic of Tides

Sometimes

you are hauled backward

before you can

move forward; you get on a plane in the dark

in Nashville

and head south to Atlanta before touching down

in Milwaukee

where someone you love waits in the sleeting rain

to drive you back

and pour you into a warm, flightless

bed.

Sometimes

the moon draws you back

like a half smile,

a wave helpless against a tide of something deeper

than you can fathom;

you just catch sight of land when Lake Michigan’s icy fingers drag you

coughing, gasping,

half-drowned into the past, the future laid out on the pebbled shore

like a table set for someone

who is not you.

Sometime, maybe,

the path worn by the incessant argument between

then and now,

between what you squint to see and what you’ve got,

will give way –

and the ragged rasp of back and forth, back and forth,

forth and back,

will stop – and you’ll be delivered like a newborn,

one last push

will show you into the world you never saw coming

despite

all of the maps you drew.

Somewhere, Another (The Pied Billed Grebe)

A pied-billed grebe

has already paddled madly

halfway across this cove

(its crested head sporting a half-hearted mohawk,

its body a sputtering vector moving toward the northwest,

Lake Superior swollen like a too-observant eye)

before I realize

that it has darted out from under this porch

that hangs over the water where I stand holding my coffee,

not wanting to go home.

It’s as though a magician

has produced an egg from my ear,

or I’ve rummaged in my purse looking for car keys

and I’ve found a room in my house

I didn’t know was there.

Somewhere, that grebe has

another grebe,

and chicks that have fledged and gone

by this late September Sunday,

and a worn and forlorn nest

patched together with empty reeds and sticks,

bits of plastic water bottles and lily pads,

feathers and hollow crayfish claws –

holding nothing,

bobbing along the indifferent surface

of the lake, pulled north

by the false promises of the moon,

swamped by the wake of passing boats.

I wonder then,

my coffee grown cold in its paper cup,

only the fading ripples left on the lake,

what I may be capable of now,

what other secrets

I may harbor.

The Nest (Or, a Father Considers the Odds of Raising Successful Small-Mouth Bass Offspring)

That afternoon at the cabin

we sat by the river

after I had cut up those small trees

that you dropped at my feet with the tractor –

(an offering, a challenge,

one that I tore through haphazardly with the new chainsaw,

black and yellow like a drunken, terrible bumblebee).

It was quiet after all that noise,

the dog (our fourth) now gone, our offspring absent-

(one washing other people’s dishes in dirty water for $7.75 an hour,

one in the throes of new love, thrashing in the shallows, and then

one that has swum out to her own sea)

so we sat without them

on cheap and dirty plastic chairs

that had sat outside all winter

and swatted at mosquitoes,

talking a little but mostly just

watching the male bass

swim back and forth around its nest,

guarding the 20,000 – 

give or take a few hundred –

eggs ditched by the female – leaving him

to patrol the nest alone, watching for

panfish looking to gorge on eggs coming in from the left

while he is preoccupied with crayfish coming in from the right –

there are always more predators.

(Five bass fry will live long enough to grow ten inches long;

it’s better that the father not consider these odds,

yet, how can he not?)

A muskrat broke the perimeter –

rat-tail moving side to side like a pink snake, but

the bass didn’t break patrol.

A father knows, or thinks he knows, what is a threat.

Really, I had almost certainly just waded right through the nest

through the muck and rocks and branches

(a sweaty, mosquito-repellent covered Godzilla

sending translucent globes helplessly into the current).

But we kept watching the bass,

circling his trampled nest while the sun

slowly arced to the west, and north,

the surface of the river sparkling like

glass from a broken mirror.

Behind us, up the hill,

no one tended the fire;

and though it was light, still, for so long,

in that week leading up to the solstice,

it was too late for us

to go home.

 

Falling Stars

Outside in the drizzle of spring,

green, green is the grass –

lilacs are tiny purple fists waiting to unfold

to again welcome May –

once more trotting out its new beginning-

with sweet applause;

Inside, the window is cracked

because of the paint, and you,

at the far end of 16, stand

without a ladder, pulling plastic

glow-in-the-dark stars off of your ceiling,

cracking some, flinging them to the ground.

They have a dim glow, so

one by one I gather them, even the broken ones,

and consign them to an empty drawer.

This earth grows ever older, older,

sliding slowly toward the sun, but

each year it becomes a gangly teenager again

with ragged patches of grass waiting to be mowed,

dandelion acne spotting green fields,

saplings sprouting up in importune cracks,

robins pinning down their mates in a mad scramble,

frogs croaking and peeping in awkward turn,

barred owls rambling late into the night, looking

for someone they can’t name. Who?

But our paths are segments,

not lines or vectors, so

blue, blue is my heart, and oh!

You will not become young again –

I will not find you curled up

with your puppy under your covers,

we will not ever again make up voices

and quarrels for your stuffed toys at night,

and we will never read aloud the last few chapters

of How To Train Your Dragon –

it will always be unfinished for us.

Perhaps you are thinking of all of this

as you leave this room behind,

but I think probably not

as I watch you standing there,

peeling the last star away from the ceiling,

walking over it, without a glance back –

you will chart your course by new stars,

and you will not,

you cannot,

come back this way.

Midwest Poultry Show

Behind me a man at the Minneapolis airport

says: “I’ll see you at the Midwest Poultry Show”

except what I hear is not that but

“Midwest Poetry Show” which makes

 

slightly less sense but it’s too late,

I am already thinking of their sleepless night,

all the poets waking before dawn

and coaxing their balky poems into cages

 

lined with torn strips of newspaper

that are soon bunched into nests and absently

pecked at and read while they, the poems, make

derisive crowing comments to each other as the poets

 

drive their dented trailers carefully into the sunrise,

drinking bitter black coffee from the Hudson or Farmington

Kwik Trip until they arrive at a metal barn, bleary-eyed

and hopeful, now with combs and scissors and spray bottles

 

in hand they are fluffing out long metaphors and snipping

at tufts of too-flowery and winding prose, was that

too much? Well, it’s too late now, it’s all over

but the crying as bespectacled readers circle the cages

 

skimming unfairly, squeezing the stanzas and

splaying the words out at the ends, looking for

allusion, alliteration, allegory, imagery, rhymes

and near rhymes, iambic pentameter and free

 

verse while the poets stand silently near, cups of coffee

long gone cold under the giant ceiling fans, kicking stray

punctuation like curses along the concrete floor, already

reading the look in the readers’ eyes, thinking about next year,

 

when, surely, but surely,

they will place.