Vire-en-Champagne, April 1919

Two months shy of a century ago,

it’s been raining in France,

great sheets snapping like sodden flags across the farmer’s field –

And my grandfather’s father,

a child of German immigrants,

sits down in soldier’s boots, and looking at the crops with a farmer’s eye,

writes a few lines to his brother

in Barnesville, Minnesota.

He writes nothing

about the rescue of the Lost Battalion

after five days surrounded by Germans in the Argonne forest; but

he asks Alfred to tell Ma

that he got through it all right, he guessed.

He reports that the winter wheat

on this farm where they wait to ship out, was yellow, and poor.

He taps his pencil, then adds that

they’d been playing a lot of baseball,

because the Great War, the war to end all wars, was done.

He pauses, looking at the field

where he doesn’t belong, and finally asks

how the Titan is running, and whether they’ve planted, thinking

probably, of the cold black soil

drinking up the snow melt with a fierce thirst,

and the angled sun spreading like butter on the dark bread of the soil

after a long, dark, Midwestern winter,

and of his flax seeds,

thousands of tiny furled, unsent messages, tucked away in dry burlap.

He will come home

and bury them for ten days

until tendrils reach up, and up, into the sky that stretches lazily

across the great Midwestern plain –

each blue flower will live just one day.

But it’s hundreds and hundreds,

no, tens of thousands of them – that will open in wave upon wave across the field,

answering the call of the unbroken blue sky.

Three Fields along Highway 42

i.

The broad face

of the February field

is tilted to the falling snow –

broken cornstalk stubble

waiting for the razored plow.

ii.

The snow, the field,

the fog rolling in waves

off of the lake,

a blank page.

The split rail fence,

the bare trees,

the broken barns,

black parentheses.

iii.

Beyond the fence,

nothing

but a white screen.

Along the road,

silhouettes of trees

suddenly appear and fade,

appear and fade

in the frames

of the car windows,

somber fireworks

in black and white

in a memory

belonging

to someone else.

Irish Evening

Auld Jack Devine, as afternoon bows to the long shadows of a June evening,

stands there, then, in the green and wet field, as they all are green and wet,

appraising these Americans searching County Mayo for Jack Devine,

clutching a damp ship’s manifest:

Well. Aye. Ye found him.

Auld Jack, eighty if a day, points with crooked finger to the new house,

built in 1927, he says, where he and Mary live,

and then over to the stone cottage where Agnes was born

(before crossing the Atlantic on her mother’s hip at three, brows knit) –

and then east across miles of rolling misted hills, promise after green promise:

Ye see over t’ere? Down dat hill, like, t’ere’s a shrine, in Knock.

(I see Agnes in white, marrying big John Madden, a Galway cop, so being

Irish and Catholic, of course, legends are then born, and children, at 509 Hubbard)

T’ey sell bottles of holy water to tourists. T’ey tink it’ll do them some good.

(So many children, she named two Thomas, so the lore goes-one Thomas they called Lester, the other, Patrick, and one or two didn’t get a name at all- )

T’ey tink tat after t’ey die, like, they’ll get t’heaven, says auld Jack.

But he looks over the fields, sniffs as though smelling the phoniness from here,

(They say that during Prohibition, the police raided Agnes’ kitchen – all signs pointed to a still, an improbable amount of sugar and yeast-)

and spits on the ground, leaning on his gnarled wooden cane;

But, I, says auld Jack Devine, I t’ink dat when ye die…I t’ink dat when ye die, ye jest go right into t’ground, like,

(But I imagine a flourish as Agnes opened the oven door on eight loaves of bread baking, and then the cops, embarrassed, looked at the oven, looked at each other, saying Thank ye Ma’am, have a good day.)

and dat’s t’end of ye, like.

And Jack Devine just looks at us, then, rain dripping from our faces, and there is nothing to say.

But though Agnes

(born Bridget, a name lost in the new country with a single flick),

died an ocean away from the stone cottage,

she’d already passed along strands and strands of gleaming double-helixes –

adamantine baubles, a secret code passed to my own children,

(though German and Norwegian genes washed up, too, on the shores of our bones)

faint constellations of freckles, bright red strands in long brown locks –

with every infusion there is an evening, of sorts, a fading,

love means compromise-

and until we are completely conquered, we shine.

And so, auld Jack Devine with blue eyes that pierced,

(and Mary in tears at our goodbye, surely, she cried, I’ll not see ye again in this life but in heaven! Surely Mary, it’s so!)

though I did not say it then, no, I don’t believe that when you die, it’s t’end of you, like.

Jack Devine, here you are-

Sláinte.

One For the Road

I am drunk on this new summer twilight, the world’s

wash is golden-hued burdens liberally poured, and so

I will roll in the fields where the corn is laid out in straight, sober lines, the light

Creeping between them like water rising slow –

I will lick the tree trunks and the underside of leaves garnished gold and pale yellow

And swallow it all down like whiskey, burning

I will dive between the slats of the hollow barns, catch the shining insects

In my teeth and crunch them like butterscotch beetles on the wing;

I will have another and yet another from my friend Sonny the bartender,

Who doles another round from the cumulus bar itself changing dreamily from an anvil tinged in pink

To the head of an armored dragon, trailing lazy smoke, and

I will pluck the sun drenched stones along the bowls of fields and roll them over my tongue and

Flick them back into the world I will tip

the cloud-dappled sky back and have it with my eyes, poring over its every curve,

My winter-cauled eyes desperate for the magic hours of long summer days, greedy for

The swollen clouds parting along a line of trees turned silhouettes;

I will not pay my tab before leaving, I will swagger and stagger out

Of this place, holding on to the backs of polished wooden fenceposts

Navigating the perils of this world with one eye closed to time, as it reels in its orbit –

Belly full of light, burping up slivers of afternoon

I will wander down the lane, I will find my way, shaking bits of fading light

Out of my hair, wiping it from my mouth, brushing it off of my clothes,

Tracking it in crumbling pieces across the kitchen floor on my way to my spinning bed

Where I will slowly sober up and fall down

into darker and darker sleep

until the darkest sleep comes for me;

While outside, fireflies wink and dive,

threading the night with lonely stitches of light,

hitching close the wounds made but not yet felt

in the fabric of the new summer night.